currently

Sun, 02 Nov 2025 23:49:08

She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.

The bird dives back into the tree. It shakes, some leaves fall.

It Will Get Lighter

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"I'm only attracted to you", he replies. "Like, you only."

It's

dusk

in a snowy forest and I'm playing with a fox.
It bites my wrist but there is only a dull ache.
I feel that it wants to say sorry but can't. I die.

FOUNDING DOCUMENT

theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine

brb i will read and reply sincerely

IWGD

a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext

autonomy of learning

so at the end

the textwall is as much for me as it is for you

you cannot feed someone truth

Imprint, memory, impact, representation, impression

what do you think my name is

yeah

Windrush Art Kid Oligarch

isaac newton

i have read not even 1 book