i love to walk around and see things and take photos and go online and look at websites and click on links and take screenshots i love to surf and i love to browse

ahnaf abrar

This is a website run by a narcissist who can't produce anything without the hope that it is seen and loved but can't act due to the fear of it being seen and hated. They immediately feel the need to ask Jack GPT to define whatever this feeling is in the hope that understanding it will mean control over it and control over it will mean that they can stop it.

"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."

it holds me to something (you, now). I love editing!

something religious, a kind of complex,

it will get lighter

, something washing, cleansing, revealing, etc.

I catch him on his way to the bar, telling him about this old racist failed actor that I'm avoiding. That I'm failing to confront. I get the sense he's avoiding people too. We get our drinks and find a corner. We chat for a bit. He's managing just fine.

Above and in front two birds are darting in and out of a tree. Sometimes they collide to fight or maybe mate, but I can't really make it out in the low light. It's just after

dusk

, I have nothing to do, I'm watching them, trying to figure it out.

13, H, grate

like first name

part of an old note. It will get lighter.

Rain, starting

I wonder if the birds knew I was watching?

i believe search always should be immersive, because whatever is pre planned and non consuming (what you are looking for is total engulfment by the spectre of the real), a joyous intensity, a flow of virtue

what do you think my name is

something for the future. something to look at when this is more. I've been thinking about... whatever

and so on. not wanting the rhyming / clanging

as in

abrar?

...


i want to do that too

really i want the internet

so magnetisation means the divine spirit acting thru u endowing you with its qualities

The Hatton geezer (fuck off) reminds me of this old failed actor who I'd met at a party a few years ago, another man out of time and out of place. This actor had scored a minor role in Lock, Stock and Two Smoking Barrels and never really let go of it, had gone on to build his whole identity around it. I can't really blame him.

Another Frenchman pushes through the crowd to join him. He's an events organiser who I'd met earlier, and he's holding a large box wrapped in a bin bag. They're the fireworks he'd smuggled in from France the night before. They're Industrial Grade, whatever that means for fireworks.

After I get away from the old racist failed actor, I go to see my Korean colleague. He's just arrived in London and I want to see how he's handling the party. We'd been invited as fresh meat for some of the older, gayer attendees. We aren't aware of that.

not their contents