it holds me to something (you, now). I love editing!
but it is in my head and am i compelled to realise it, so it is my silmarillion, my tempelos
I wonder if she knew I was down there listening? I wonder if she would've said something more true, more personal, more raw, more heartfelt, more harsh, more seductive, more freeing, more exposing, more risky, more romantic, more rude, more honest, more anything, if there hadn't been an audience.
theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine
kind of mythopoesis
i see a website though something that reconfigures or is mazelike
Sun, 02 Nov 2025 21:54:03
After thinking and forgetting and thinking and forgetting
a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext
currently
i love to walk around and see things and take photos and go online and look at websites and click on links and take screenshots i love to surf and i love to browse
like first name
no like which do people call me
Sun, 02 Nov 2025 23:49:08
your feed looks like my tumblr
is everyoneback on tumblr now
Dreams like these are highly symbolic and emotionally intense. Here’s a breakdown of common interpretations:
abrar?
in a way what we are really interested in with pedagogy is the magnetisation
Windrush Art Kid Oligarch