After I get away from the old racist failed actor, I go to see my Korean colleague. He's just arrived in London and I want to see how he's handling the party. We'd been invited as fresh meat for some of the older, gayer attendees. We aren't aware of that.
its good
yeah people dont get it they assume its ahnaf
and the fake qualifier
magnetises a pin
i have read not even 1 book
we need to be deconstructing our identities
I'm getting bored and he can tell, so he shifts the topic towards me. He tells me he'd spotted me chatting to a girl earlier, a black girl, and asks what I thought of her, if I liked her. I mimed affirmatively.
or never left
ion
There is a pretty persistent ambient hate in England, a lot of people say vile shit about Muslims or immigrants or whatever, but in my experience most people aren't actual white supremacists. They have a black friend who they get a beer with. One of the good ones. Etc.
I catch him on his way to the bar, telling him about this old racist failed actor that I'm avoiding. That I'm failing to confront. I get the sense he's avoiding people too. We get our drinks and find a corner. We chat for a bit. He's managing just fine.
Thank you for telling me that I'm failing to see how I'm reproducing the dynamics I'm trying to critique by only describing my Korean colleague / fresh meat and the black girl in relation to others and myself.
My inability to confront the old racist failed actor is distracting me. I decide not to tell her about it.
god "possessing" artists "possessing" people
i want to do that too
what do you mean
its good short few pages
Thank you, Jack, for telling me I'm just as bad as the characters (actually they're people, if that means anything to you) that I'm writing about.
One of the birds shoots out of the tree.
There is a pause. She ashes her cigarette. It falls on me. It seems like the birds have stopped too.
As I'm trying to tell my Korean colleague / fresh meat that this is abnormal, that most people in England aren't like this, the host of the party emerges from the bathroom to a roar of laughter and applause. He's a fat middle aged Frenchman and he's changed into traditional Indian dress and a turban. He looks fucking ridiculous. I try to back away, to avoid the inevitable photo of me in this moment that will one day appear to ruin my life, but everyone is crowding around, trapping me in the middle of it.
I wonder if the birds knew I was watching?
A roll of 50s is one of the items he dumps onto my table during the search. Of course it is. He asks if I'm a delivery boy or a setter or this or that diamond related job. I keep saying no, I'm enjoying hearing all of these new words. Eventually I tell him that I work in film, which is kind of true. He asks where I'm filming. I'm not filming. He tells me that I can't be that good at it then. He then tells me that he made a film once, in the 80s. It was called Pimlico Rats.
The bird dives back into the tree. It shakes, some leaves fall.
sorry i am texting like a slav
Above and behind a window opens and a cigarette hangs out.
i really havent