And thank you for telling me that the manner in which the narrator consistently fails to act morally is really compelling. Fuck you.

It Will Get Lighter

Better Lift

Sun, 23 Nov 2025 10:37:17

        13       |
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            H   |
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It's

dusk

"No, it'll get cold!"
"Put a tut ahh put a-"

She closes the window. I wasn't paying attention anyway, I'm getting cold, and the birds are nowhere to be seen. I go inside.

but it is in my head and am i compelled to realise it, so it is my silmarillion, my tempelos

we can only engage in such a way

Their voices are saying they haven't and shouldn't fuck but want to so bad, or have fucked and can't again but want to so bad, or something like that. Would this be easier if they were birds? Incel kind of question... I'm not following the conversation, but I'm still listening. He's talking in this slightly begging way. It's a way of talking that asks for pity, like he's already tried appealing to every other one of her sensibilities. Incel kind of observation... Maybe he just talks like that, in some upspeak derivative. Haha unless?

i am quite illiterate on producing technology

i hope ai fixes this with the cessation of interfaces and walls

It Will Get Lighter

Rain, starting

i haven't read 100 book s so i'm probably not getting the depth of all of what you're saying

She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.

Wed, 11 Nov 2025 21:12:41

I'm trying to picture the scene inside, like I was trying to picture the scene in the tree.

The only real Londoner remaining is old, bitter, kept around for entertainment, defined by tropes from 30+ years ago. They play gangsters in films, or they work in a pie and mash shop, or they go on Business Insider's YouTube channel to tell you about their crimes. And they somehow still find the time to spend all day hanging about cafes and pubs for you to bump into, to remind you of Real London.

The Hatton geezer (fuck off) reminds me of this old failed actor who I'd met at a party a few years ago, another man out of time and out of place. This actor had scored a minor role in Lock, Stock and Two Smoking Barrels and never really let go of it, had gone on to build his whole identity around it. I can't really blame him.