was it worth it

its performative

autonomy of learning

whats your name?

we can only engage in such a way

ahnaf abrar

which magnetises chains of pins

propensity within someone

as in

mazelike/rhizomatic/immanent/emergent are not antithetical to a transcendent real but its very manifestation

in a way what we are really interested in with pedagogy is the magnetisation

so i or you can author smaller fragments that get arranged

i struggle with building a personal technical architecture for storing media, both curation and creation. instead i bookmark everything

its good

this will be about a slug

but really the thing should be autonomous

yeah

okay im going very rogue and very inarticulate

Thu, 06 Nov 2025 23:18:46

        13       |
                |
                |
            H   |
                |
                |
. . . .         |
. . . .         |
. . . .         |
. . . .         |
                |
and so on. not wanting the rhyming / clanging

not their contents



i sat down to eat my peasant dinner but i thought it was a song you sent so i didn’t watch it then

She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.

IWGD

a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext