"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."
I'm trying to picture the scene inside, like I was trying to picture the scene in the tree.
Better Lift
She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.
She closes the window. I wasn't paying attention anyway, I'm getting cold, and the birds are nowhere to be seen. I go inside.
that is unstable and lets me operate in that discovery mode that i can create within and also produce works from.
something for the future. something to look at when this is more. I've been thinking about... whatever
Thank you, Jack
I wonder if the birds knew I was watching?
I'm in a crowded lift and a girl I've never met tells me she thinks she might love me.
The lift won't stop at any floor, and I can't talk in front of all these people.
Windrush Art Kid Oligarch