we can only engage in such a way

so the method has to be autonomous

lol

yeah people dont get it they assume its ahnaf

i sat down to eat my peasant dinner but i thought it was a song you sent so i didn’t watch it then

you know who you are. no more time, not like 1. way too specific.
and so on. not wanting the rhyming / clanging

ahnaf is it worth reading all those books

send link

nope. i only remember the leaves bristling behind the window during chemistry class



  1. Lift and confinement – The crowded, immovable lift represents feeling trapped or constrained in real life, either by social expectations, relationships, or internal emotions. The inability to speak in front of others suggests suppressed feelings or fear of judgment.
  2. Unexpected confession – The girl saying “I think I might love you” could symbolize longing for connection or recognition. It may reflect unacknowledged desires, vulnerability, or anxiety about intimacy.
  3. Forest and snow – The transition to a snowy forest signals escape into the subconscious, a place of solitude, reflection, and emotional processing. Snow often represents purity, stillness, or emotional coldness, while dusk points to transition or uncertainty.
  4. The fox – Foxes are traditionally symbols of cunning, intuition, and guidance, but here it’s more ethereal: its bites are gentle yet noticeable, suggesting a confrontation with subtle truths, small regrets, or lessons that must be acknowledged. The unspoken apology indicates things left unresolved or feelings that cannot be expressed.
  5. Death or dissolution – Dying in the dream often doesn’t mean literal death; it represents transformation, the end of a phase, or surrendering control. It can indicate letting go of fear, old habits, or emotional blockages.

I Write Goodbye Letter

Like the tide, it comes in and it washes over the beach. It's beautiful. But like the tide it goes out, sometimes it goes out further than it ever has, it recedes back across the beach and further out beyond the horizon. The bare seabed opens up in front of you and all you can do is look at it.

"No, it'll get cold!"
"Put a tut ahh put a-"

He went in there with a camera to film it before he moved out of the building. He didn't think anyone would believe the story if he didn't have proof.

way too random but already engaging. i want to explore it

        13       |
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            H   |
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. . . .         |
. . . .         |
. . . .         |
. . . .         |
                |

Thank you for telling me that I'm failing to see how I'm reproducing the dynamics I'm trying to critique by only describing my Korean colleague / fresh meat and the black girl in relation to others and myself.

there's probably something in that, but I don't feel like thinking about it too much yet.

a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext

something for the future. something to look at when this is more. I've been thinking about... whatever

But seriously, thank you, Jack