theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine

i got bored though because i knew all of the different arrangements of it. i probably needed to stick at it longer to get it dense enough to feel navigable in a way that was engaging to me

it exists in my head in some way that i'm trying to get out i lied on my story a little bit because i'm mostly feeling it and thinking about it. feeling something deeply doesn't necessitate any kind of deep relevance or whatever but the thinking is useful

a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext


like first name

something religious, a kind of complex,

it will get lighter

, something washing, cleansing, revealing, etc.

so i or you can author smaller fragments that get arranged

but it is in my head and am i compelled to realise it, so it is my silmarillion, my tempelos

i believe search always should be immersive, because whatever is pre planned and non consuming (what you are looking for is total engulfment by the spectre of the real), a joyous intensity, a flow of virtue

i am quite illiterate on producing technology

that is unstable and lets me operate in that discovery mode that i can create within and also produce works from.

somewhere between instagram and chatgpt

Sun, 23 Nov 2025 10:37:17

i see a website

Lift Analysis

i have read not even 1 book

"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."

division of reality is straying away from it

this is possible in mazelike research sprints on the internet

you cannot feed someone language, they have to speak

Windrush Art Kid Oligarch

to work in time to get to the timeless, perfection thru chaos

as in

its performative

i struggle with building a personal technical architecture for storing media, both curation and creation. instead i bookmark everything

2 (actually index). two is company