Mon, 03 Nov 2025 08:38:49
i got bored though because i knew all of the different arrangements of it. i probably needed to stick at it longer to get it dense enough to feel navigable in a way that was engaging to me
not their contents
Windrush Art Kid Oligarch
it is hopeful
He was a proper old-fashioned London geezer (cringe word, hate it, can't think of a better one, worst of all it's the correct word), kind of East Endy, kind of Real London, the kind you don't really meet but if you do it always feels like an uncanny immersive theatre experience. They're anachronistic. They only belong in the London collectively imagined by people who don't spend any time in it.
in a way what we are really interested in with pedagogy is the magnetisation
so the method has to be autonomous
i haven't read 100 book s so i'm probably not getting the depth of all of what you're saying
we can only engage in such a way
hiding from the rain
but it is in my head and am i compelled to realise it, so it is my silmarillion, my tempelos
autonomy of learning
Can I see
okay im going very rogue and very inarticulate
Sun, 02 Nov 2025 23:49:08
theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine
the point of this was to try and avoid this narcissistic death spiral I'm in by acting anonymously and impulsively. how can that feeling that even Jack can't describe paralyse me if my name isn't next to any of this? the excitement of believing I just need a new process has overcome me and I have cummed out an empty webpage.
Better Lift
ahnaf is it worth reading all those books
magnetises a pin
its good
sorry i am texting like a slav
no longer writing in the third person
really i want the internet
isaac newton