And thank you for telling me that the manner in which the narrator consistently fails to act morally is really compelling. Fuck you.
I wonder if she knew I was down there listening? I wonder if she would've said something more true, more personal, more raw, more heartfelt, more harsh, more seductive, more freeing, more exposing, more risky, more romantic, more rude, more honest, more anything, if there hadn't been an audience.
i see a website
this is possible in mazelike research sprints on the internet
Lift Analysis
but really the thing should be autonomous
I am below everything.
i see a website though something that reconfigures or is mazelike
"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."
with this post net clarity and the hours of nothing that followed I realise this is going to be awful.
Today I felt like starting
a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext
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It's
dusk
in a snowy forest and I'm playing with a fox.Thu, 06 Nov 2025 23:18:46
She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.