a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext

Picture

I'm trying to picture the scene inside, like I was trying to picture the scene in the tree.

okay im going very rogue and very inarticulate

It Will Get Lighter

Above and in front two birds are darting in and out of a tree. Sometimes they collide to fight or maybe mate, but I can't really make it out in the low light. It's just after

dusk

, I have nothing to do, I'm watching them, trying to figure it out.

Better Lift

Thank you, Jack

Style


I know that if I try to make this entry any more than it is I will ruin it.

Garden Post-Dusk, Birds Above, In Another Life



I wonder if she knew I was down there listening? I wonder if she would've said something more true, more personal, more raw, more heartfelt, more harsh, more seductive, more freeing, more exposing, more risky, more romantic, more rude, more honest, more anything, if there hadn't been an audience.

that is unstable and lets me operate in that discovery mode that i can create within and also produce works from.

division of reality is straying away from it

stalgivc is the greatest poster of all time

sorry i am texting like a slav

i hope ai fixes this with the cessation of interfaces and walls

mazelike/rhizomatic/immanent/emergent are not antithetical to a transcendent real but its very manifestation


i did until you asked which kind of gave it away

I'm in a crowded lift and a girl I've never met tells me she thinks she might love me.
The lift won't stop at any floor, and I can't talk in front of all these people.