I wonder if she knew I was down there listening? I wonder if she would've said something more true, more personal, more raw, more heartfelt, more harsh, more seductive, more freeing, more exposing, more risky, more romantic, more rude, more honest, more anything, if there hadn't been an audience.
The bird dives back into the tree. It shakes, some leaves fall.
I'm in a crowded lift and a girl I've never met tells me she thinks she might love me.
The lift won't stop at any floor, and I can't talk in front of all these people.
It's
dusk
in a snowy forest and I'm playing with a fox. 13 |
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Thu, 06 Nov 2025 23:18:46
She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.
Better Lift
Above and behind a window opens and a cigarette hangs out.
is this you as well
like first name
much more tactility
I'm trying to picture the scene inside, like I was trying to picture the scene in the tree.
okay this is interesting because pedagogies we have rn are not proper models
we can only engage in such a way
as in
magnetises a pin
Mon, 03 Nov 2025 08:38:49
in a way what we are really interested in with pedagogy is the magnetisation
plato
Sun, 23 Nov 2025 10:37:17
currently
Mon, 03 Nov 2025 08:27:13
the only things i have read are just excerpts and 1 dialogue by plato fully and mcluhan's medium is the massage but it cannot be considered a book
i haven't read 100 book s so i'm probably not getting the depth of all of what you're saying
i have read not even 1 book
idk