The Hatton geezer (fuck off) reminds me of this old failed actor who I'd met at a party a few years ago, another man out of time and out of place. This actor had scored a minor role in Lock, Stock and Two Smoking Barrels and never really let go of it, had gone on to build his whole identity around it. I can't really blame him.

Thu, 06 Nov 2025 23:18:46

so at the end

i hope ai fixes this with the cessation of interfaces and walls

but it is in my head and am i compelled to realise it, so it is my silmarillion, my tempelos

mazelike/rhizomatic/immanent/emergent are not antithetical to a transcendent real but its very manifestation

Better Lift

so an active mazelike process

really i want the internet

i really havent

brb i will read and reply sincerely

no i haven't really read anything

but i respect your search

Thank you, Jack

i am quite illiterate on producing technology

i hadn't considered this pedagogically or as a kind of personal knowledge management system (puke) at all but i suppose it is both of those things

theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine

sorry i am texting like a slav

there is a distinction between western-modern pedagogical systems that's like text-based as in a legal method but there is an idea of "pathshala" or "guru shissho"/ "porompora" i mean how masters relayed knowledge to the student by (oral) transmission often by memorising books. so what was taught was always interactive. knowledge was interactive, you spoke with people rather than read texts.