Thank you for telling me that I'm failing to see how I'm reproducing the dynamics I'm trying to critique by only describing my Korean colleague / fresh meat and the black girl in relation to others and myself.
They're fucking around with the box. I ask her what people do with fireworks for so long before they're ready to light. She doesn't know.
She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.
Mon, 03 Nov 2025 08:27:13
its good
amazing hopefully this was all legible and frankly i might be going very off board but you seemed interesting
i did until you asked which kind of gave it away
like magnets
Thank you, Jack
I've found the girl, or she's found me, and we're smoking a cigarette while we watch the silhouettes of the French Raj and his fireworks bearer down on the bank.
I wonder if she knew I was down there listening? I wonder if she would've said something more true, more personal, more raw, more heartfelt, more harsh, more seductive, more freeing, more exposing, more risky, more romantic, more rude, more honest, more anything, if there hadn't been an audience.
its performative
you cannot feed someone truth
"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."
i dont understand magnetisation
Maybe, Jack, I'm doing this because I'm English?
okay this is interesting because pedagogies we have rn are not proper models
We stand there laughing. The fireworks go off behind him.
not their contents