that is unstable and lets me operate in that discovery mode that i can create within and also produce works from.
and the fake qualifier
It's
dusk
in a snowy forest and I'm playing with a fox.brb i will read and reply sincerely
but it is in my head and am i compelled to realise it, so it is my silmarillion, my tempelos
I'm trying to picture the scene inside, like I was trying to picture the scene in the tree.
The bird dives back into the tree. It shakes, some leaves fall.
Windrush Art Kid Oligarch
theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine
She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.
i got bored though because i knew all of the different arrangements of it. i probably needed to stick at it longer to get it dense enough to feel navigable in a way that was engaging to me
i know a little bit of lacan which probably influences me in a way i cant articulate
we want to live the knowledge too live the content
i am quite confused, not quite getting the idea of it
it is hopeful
i haven't read 100 book s so i'm probably not getting the depth of all of what you're saying