It's
dusk
in a snowy forest and I'm playing with a fox.with this post net clarity and the hours of nothing that followed I realise this is going to be awful.
i got bored though because i knew all of the different arrangements of it. i probably needed to stick at it longer to get it dense enough to feel navigable in a way that was engaging to me
a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext
I'm trying to picture the scene inside, like I was trying to picture the scene in the tree.
There is a pause. She ashes her cigarette. It falls on me. It seems like the birds have stopped too.
The bird dives back into the tree. It shakes, some leaves fall.
Above and behind a window opens and a cigarette hangs out.
currently
She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.
"No, it'll get cold!"
"Put a tut ahh put a-"
but really the thing should be autonomous
i love it here
and the fake qualifier
i sat down to eat my peasant dinner but i thought it was a song you sent so i didn’t watch it then
or never left
wait what is that
like people can read 100 books and still not have the fire within them
"I'm only attracted to you", he replies. "Like, you only."