it exists in my head in some way that i'm trying to get out i lied on my story a little bit because i'm mostly feeling it and thinking about it. feeling something deeply doesn't necessitate any kind of deep relevance or whatever but the thinking is useful

"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."

There is a pause. She ashes her cigarette. It falls on me. It seems like the birds have stopped too.

Mon, 03 Nov 2025 08:27:13

Imprint, memory, impact, representation, impression

ahnaf abrar

Mon, 03 Nov 2025 08:38:49

as in

i struggle with building a personal technical architecture for storing media, both curation and creation. instead i bookmark everything

isaac newton

we can only engage in such a way

i believe search always should be immersive, because whatever is pre planned and non consuming (what you are looking for is total engulfment by the spectre of the real), a joyous intensity, a flow of virtue

okay im going very rogue and very inarticulate

theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine

really i want the internet

so the method has to be autonomous

i understand

its good short few pages

its good

have you read

a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext

okay this is interesting because pedagogies we have rn are not proper models

Windrush Art Kid Oligarch

whats your name?

plato

"Put a blanket."

i don't really want to be associated with that one for some reason

i see a website though something that reconfigures or is mazelike