theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine

I'm in a crowded lift and a girl I've never met tells me she thinks she might love me.
The lift won't stop at any floor, and I can't talk in front of all these people.

somewhere between instagram and chatgpt

Above and behind a window opens and a cigarette hangs out.

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She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.

"I'm only attracted to you", he replies. "Like, you only."

"Put a blanket."

i am quite confused, not quite getting the idea of it

Rain, starting

I wonder if she knew I was down there listening? I wonder if she would've said something more true, more personal, more raw, more heartfelt, more harsh, more seductive, more freeing, more exposing, more risky, more romantic, more rude, more honest, more anything, if there hadn't been an audience.

that is unstable and lets me operate in that discovery mode that i can create within and also produce works from.

I'm trying to picture the scene inside, like I was trying to picture the scene in the tree.

something religious, a kind of complex,

it will get lighter

Garden Post-Dusk, Birds Above, In Another Life

13, H, grate

it exists in my head in some way that i'm trying to get out i lied on my story a little bit because i'm mostly feeling it and thinking about it. feeling something deeply doesn't necessitate any kind of deep relevance or whatever but the thinking is useful

a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext

"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."